Temple of Aphaia at Aigina:
‘Aphaia’ and Aigina in Myth: the
goddess at focus of this site is indeed mysterious, true to her name. According
to the most credible witness, the late travel writer Pausanias, she was the local
version of a character found all over the Greek world: a young woman (or
semi-divine nymph) devoted to Artemis (with her cult of chastity, turning aside
from the usual path of young women toward marriage and childbearing) who is
raped or pursued by lustful god or hero, and so she takes refuge in a remote
and magical place. Similar stories, along these lines were told of both ‘Aigina’
the goddess who supposedly gave her name to the island (or who was invented to
explain the name) and of Aphaia.
For Aigina, see the useful summary on theoi.com. In brief: Aigina was the daughter of a river
god, Asopos; she was pursued by Zeus and took refuge on the island that bears
her name (meaning something like ‘goatland’ or ‘goat girl’), previously called Oinone
(‘wineland’). There she gave birth to hero Aiakos, who fathered Telamon the
father of Ajax and Peleus the father of Achilles—so this lineage leads to
famous figures in the Trojan wars that are prominently represented on the
temple sculptures.
Now
the traditions vary, but a key term in this mythology is ‘Myrmidons’, ‘ant
men’: either because the island was initially uninhabited or (perhaps
originally) because plague or disaster killed off the population. So, to
restore the manpower of Aiakos and his clan, Zeus had the land itself give
birth to a new race of tough little men, transformed from the ants that
tunneled in the earth.
Pausanias identifies Aphaia with the
better-known (but still sketchy) figure of Britomartis, a daughter of Zeus who
was loved and pursued by Minos (son of Zeus and lord of the Cretan empire). She
fled and took refuge (as Aphaia) on the mountain on the northside of Aigina.
How
might theses stories reflect an ancient struggle with sustainability?
[cf.
Walter Burkert’s
theory about the paleolithic origin of such stories]