MCL
550 – Study Away
in Greece, Winter
Intersession 2014-15– “Heroes and Heritage of Ancient Greece”
Three
sites of great importance for history of democracy and western tradition will be
featured in this visit to Greece: at
Athens (of course) we tour the Acropolis and other sites; from Athens to Aigina, we study the temple of Aphaia
(the ‘Unseen’, a protector of the wild, like Artemis); and at Mycenae, we
discover the center of Bronze-Age culture—from the age of the Trojan Wars.
2) The Acropolis at Athens: [brief intro:
religion and group solidarity]
Tour of the Parthenon (primer of Architectural Terms)
2)
Temple of Aphaia at Aigina:
‘Aphaia’ and Aigina in Myth: the
goddess at focus of this site is indeed mysterious, true to her name. According
to the most credible witness, the late travel writer Pausanias, she was the
local version of a character found all over the Greek world: a young woman (or
semi-divine nymph) devoted to Artemis (with her cult of chastity, turning aside
from the usual path of young women toward marriage and childbearing) who is
raped or pursued by lustful god or hero, and so she takes refuge in a remote
and magical place. Similar stories, along these lines were told of both ‘Aigina’ the goddess who supposedly gave her name to the
island (or who was invented to explain the name) and of Aphaia.
For
Aigina, see the useful summary on theoi.com. In brief: Aigina
was the daughter of a river god, Asopos; she was
pursued by Zeus and took refuge on the island that bears her name (meaning
something like ‘goatland’ or ‘goat girl’), previously
called Oinone (‘wineland’).
There she gave birth to hero Aiakos, who fathered Telamon the father of Ajax and Peleus the father of
Achilles—so this lineage leads to famous figures in the Trojan wars that are
prominently represented on the temple sculptures.
Now the traditions vary, but a key
term in this mythology is ‘Myrmidons’, ‘ant men’: either because the island was
initially uninhabited or (perhaps originally) because plague or disaster killed
off the population. So, to restore the manpower of Aiakos
and his clan, Zeus had the land itself give birth to a new race of tough little
men, transformed from the ants that tunneled in the earth.
Pausanias
identifies Aphaia with the better-known (but still
sketchy) figure of Britomartis, a daughter of Zeus
who was loved and pursued by Minos (son of Zeus and lord of the Cretan empire).
She fled and took refuge (as Aphaia) on the mountain
on the northside of Aigina.
How might theses
stories reflect an ancient struggle with sustainability?
[cf. Walter Burkert’s theory about the paleolithic
origin of such stories]
Preview
of the architectural remains …. And sculptures of the AphaiaTemple
3) Bronze-Age centers
at Mycenae[under
construction]: citadel