EXPLORATIONS IN RENAISSANCE CULTURE

Volume 31, No. 2 (Winter 2005)
Table of Contents

Volume 31, No. 1 (Summer 2005)
Table of Contents

• Norman Land
  • Michelangelo's Shadow: Giuliano Bugiardini
• Frank R. Ardolino
  • "Sweete Mistresse Where as I Loue You Nothing at All": Indeterminacy and Ambiguity in Roister Doister
• Lilian H. Zirpolo
  • Marriage Practices in Early Modern Rome: the Case of Giovanni Francesco Sacchetti and Beatrice Tassoni Estense
• Arul Kumaran
  • Patronage, Print, and an Early Modern "Pamphlet Moment"
• Martha Craig
  • Negotiating Sex: The Poetics of Feminization in Sidney's Arcadia
• Gordon Carver
  • The Elizabethan Erotic Narrative: Sex(y) Reading
• Jill Phillips Ingram
  • The "Noble Lie": Casuistry and Machiavellism In the Duchess of Malfi











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Volume 30, No. 2 (Winter 2004)
Table of Contents

• Kate Narveson
  • Godly Gentility as Spiritual Capital: The Appeal of Hall's Meditations in Early Stuart England (149-70)
• John N. King
  • Foxe's Book of Martyrs and the History of the Book (171-96)
• James S. Baumlin and Barbara Watson
  • "Rational" Dogs and Spiritual Fools: The Renaissance Iconography of "Natural" Reason vs. Divine Guidance in German Artwork and English Poetry (197-230)
• Mark J. Zucker
  • Homeliness and Humor in Renaissance Italy: Tales of Ugly (and Witty) Artists and Other Paragons of Ugliness
• Alison V. Scott
  • Celebrating the Somerset Wedding: Donne, Patronage, and the Problem of the Gift (261- 90)
• Latifah Troncelliti
  • The Making of Cennino Cennini (291-25)
• Les Brothers
  • In Memoriam: Herbert C. Turrentine








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Volume 30, No. 1 (Summer 2004)
Special Issue: Images of Elizabeth I: A Quadricentennial Celebration
Guest Editors: Donald Stump and Carole Levin

Table of Contents

• Ilona Bell
  • Elizabeth Tudor: Poet (1-22)
• Steven W. May
  • Queen Elizabeth to Her Subjects: The Tilbury and Golden Speeches (23-40)
• Mary Hill Cole
  • Maternal Memory: Elizabeth Tudor's Anne Boleyn (41-56)
• Carole Levin
  • All the Queen's Children: Elizabeth I and the Meanings of Motherhood (57-76)
• Sarah L. Duncan
  • The Two Virgin Queens (77-88)
• Donald Stump
  • Abandoning the Old Testament: Shifting Paradigms for Elizabeth 1578-1582 (89-110)
• Michele Osherow
  • "Give Ear o ' Princes ": Deborah, Elizabeth, and the Right Word (111-20)
  • John Watkins
    • Elizabeth Through Venetian Eyes (121-38)
    • Carole Levin
      • The King Dreams of Marriage: Henry VIII and His Wives (139-44)








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Volume 29, No. 2 (Winter 2003)
Table of Contents

• Derek B. Alwes
  • The South-Central Renaissance Conference Louis L. Martz Essay Prize, 2003
    "To serve your prince by . . . an honest dissimulation":
    The New Arcadia as a Defense of Poetry (147-69)
• David M. Bergeron
  • All's Well That Ends Well: Where's Violenta? (171-84)
• Jane Collins
  • Publishing Private Pleasures:
    The Gentlewoman Reader of Barnaby Riche and George Pettie (185-210)
• Raymond-Jean Frontain
  • Donne, Coryate, and the Sesqui-superlative (211-24)
• Gerald MacLean
  • On Turning Turk, or Trying To:
    National Identity in Robert Daborne's A Christian Turn'd Turke (225-52)
• Corinne S. Abate
  • "Men learn at last to know their good estate":
    Dorothea's Triumph in James VI (253-66)





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Volume 29, No. 1 (Summer 2003)
Table of Contents

• Judith Owens
  • Professing Ireland in the Woods of Spenser's Mutabilitie (1-22)
• Liana De Girolami Cheney
  • Vasari's Early Decorative Cycles: The Venetian Commissions Part II (23-58)
• Susan Lauffer O'Hara
  • Sonnets as Theater: The Performance of Ideal Love and
    the Negation of Marriage in Mary Wroth's Masque (59-99)
• Stephen Guy-Bray
  • "The Achievement of Print": Samuel Daniel and the Anxiety of Authorship (101-18)
• Susan Broomhall
  • French Women Writers, Sexuality, and Publication (119-43)





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Volume 28, No. 2 (Winter 2002)
Table of Contents

• James M. Saslow
  • Performing the Renaissance: Theatre as Metaphor in Art and Society (155-79)
• Sue Starke
  • "The Majesty of Unconquered Virtue": Pamela and the Argument of Feminine Nobility in Sidney's New Arcadia (181-206)
• Charles R. Mack
  • Botticelli's Venus: Antique Allusions and Medicean Propaganda (207-37)
• Eric Collum
  • "Sinister shifts" and "secreat exceptions": Early Modern Legal Hermeneutics and John Day's Law Tricks (239-65)
• Liana De Girolami Cheney
  • Vasari's Early Decorative Cycles: The Venetian Commissions Part I (267-311)





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Volume 28, No. 1 (Summer 2002)
Table of Contents

• Joan Faust
  • Queenes and Jonson's Masques of Mirrors (1-29)
• Corinne Mandel
  • Magic and Melancholy at the Vatican Library (31-74)
• Jose Maria Rodriguez Garcia
  • Exiles and Arrivals in Christopher Columbus and William Bradford (75-98)
• Gary Schneider
  • Politics, Deception, and the Workings of the Post: Some Features of Epistolarity in Early Modern England (99-127)
• Mark Bayer
  • Is a Crown Just a Fancy Hat?: Sovereignty in Richard II (129-52)





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Volume 27, No. 2 (Winter 2001)
Table of Contents

• David Bergeron
  • The South-Central Renaissance Conference Scholarly Essay Award, 2001:
    Printers' and Publishers' Addresses in English Dramatic Texts, 1558-1642 (131-60)
• John T. Shawcross
  • Milton and "Of Christian Doctrine": Doubts, Definitions, Connotations (161-78)
• Norman E. Land
  • Titian's Portraits of Charles V in the Early Anecdotes (179-203)
• Zenon Luis-Martinez
  • "Maimed Narrations": Shakespeare's Henry VIII and the Task of the Historian (205-43)
• Simon Morgan-Russell
  • "How far is it, my Lord, to Berkeley now?": English Chronicle History and the Rise of the London City Comedy (245-62)





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Volume 27, No. 1 (Summer 2001)
Table of Contents

• Constance C. Relihan
  • Humanist Learning, Eloquent Women, and the Use of Latin in Robert Greene's Ciceronis Amor: Tullies Love (1-19)
• Herbert C. Turrentine
  • Hans Weiditz's "Emperor Maximilian at Mass": An Intriguing Liturgical Scene in the Chapel of Annakirche in Augsburg (21-30)
• Elizabeth R. Wright
  • Galleys to Glory: Lope de Vega's Paradoxical Itinerary of Authorship (31-59)
• Joseph M. Sullivan
  • The Emblem Book as Political Propaganda: Johann Vogel's Meditatioines emblematicae de restaurata pace Germaniae of 1649 (61-88)
• Mary Catherine Wilheit
  • Virtuous Wives and Loving Mothers: Early Modern English Women's Epitaphs (89-111)
• Nicholas Brown
  • Castiglione, Our Contemporary (113-28)





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Volume 26, No. 1 (Summer 2000)
Table of Contents

• Burton Raffel
  • Shakespeare's Sonnets:Touchstone of the English Lyric Tradition (1-24)
• Katherine A. McIver
  • The "Ladies of Correggio": Veronica Gambara and Her Matriarchal Heritage (25-44)
• Todd Butler
  • The Rhetoric of Early Modern Cartography: Politics, Theology, and Inspiration (45-71)
• Marguerite A. Tassi
  • The Player's Passion and the Elizabethan Painting Trope: A Study of the Painter Addition to Kyd's The Spanish Tragedy (73-100)
• Gary M. Bouchard
  • Robert Southwell, S. J.: England's First Metaphysical Poet (101-19)
• Margaret Flansburg
  • Painted Memorials: Four Augustinian Coffins (121-58)



Volume 26, No. 2 (Winter 2000)
Table of Contents

• Norman E. Land
  • Apelles in Venice: Bellini, Pino, Titian, and Esengren (161-76)
• William J. Scheick
  • Tableaux of Authority: The Titlepages of Sixteenth-Century Bibles (177-97)
• Karen Raber
  • Gender and Property: Elizabeth Cary and The History of Edward II (199-227)
• Marina Della Putta Johnston
  • The Science of Art and the Art of Science: Leonardo's Authorial Strategy in Codex Madrid I (229-55)
• Charles R. Mack
  • The Wanton Habits of Venus: Pleasure and Pain at the Renaissance Spa (257-76)
• Dan Lettieri
  • Dea sancta Tellus: Giorgione and the nuova filologia (277-319)





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Volume 25 (1999)
Table of Contents

• Maurice Hunt
  • The Conversion of Opposites and Tragedy in Shakespeare's Richard II (1-18)
• Susan Kidwell
  • Gaude Virgo Katherina: The Veneration of St. Katharine in Fifteenth-Century England (19-39)
• Rachel Hostetter Smith
  • Providence and Political Innocence: The Ballottino in Venetian Art and Ideals (41-65)
• Eduardo R. del Rio
  • Thomas Stanley's Translations of Spanish Verse (67-86)
• Joan Fitzpatrick
  • Pastoral Idylls and Lawless Rebels: Sexual Politics in Books 5 and 6 of Spenser's Faerie Queene (87-111)
• Deborah Cibelli
  • Images of Fame and Changing Fortune in the First and Second Editions of Vasari's Vite (113-37)
• Paula Sommers
  • Female Subjectivity and the Distaff: Louise Labé, Catherine des Roches, and Gabrielle de Coignard (139-50)





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Volume 24 (1998)
Table of Contents

• Karl Josef Höltgen
  • Clever Dogs and Nimble Spaniels: On the Iconography of Logic, Invention, and Imagination (1-36)
• Herbert C. Turrentine
  • The Commemorative Medal of the Composer/Theorist Nicola Vicentino and the Question of Its Attribution (37-52)
• John Brett Mischo
  • "great with child to speake": Male Childbirth and the Elizabethan Sonnet Sequence (53-73)
• J. Clinton Crumley
  • Anachronism and Historical Romance in Renaissance Drama: James IV (75-90)
• George Klawitter
  • John Martin's Revolution and Grandeur: A New Direction for Milton's Early Illustrators (91-117)
• Elizabeth Sauer
  • Maternity, Prophesy, and the Cultivation of the Private Sphere in Seventeenth Century England (119-48)





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Volume 23 (1997)
Table of Contents

• Michael Murrin
  • The Audience of The Faerie Queene (1-21)
• Norman E. Land
  • Giotto as an Ugly Genius: A Study in Self-Portrayal (23-36)
• Peggy M. Simonds
  • Husband Beating in English Iconography: The Special Case of the Montacute House Mural (37-52)
• Deborah Montuori
  • "Masculine Issue(s)": Alliances and Anxieties in Jonson's Poems to Elizabeth Sydney, Countess of Rutland (53-77)
• Paul Barolsky
  • From Grotesque to Vision: The Journey of the Poetic Imagination in Michelangelo's Art (79-94)
• J. Christopher Warner
  • Talking Back to Catullus: Lady Mary Wroth's Pamphilia to Amphilanthus 13 (95-110)
• Nabil I. Matar
  • Wives, Captive Husbands, and Turks: The First Women Petitioners in Caroline England (111-128)
• Sarah E. Moreman
  • Learning Their Language: Cavendish's Construction of an Empowering Vitalistic Atomism (129-144)





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Volume 22 (1996)
Table of Contents

• David M. Bergeron
  • King James and Robert Carr: Letters and Desire (1-30)
• Burton Raffel
  • Hamlet and the Tradition of the Novel (31-50)
• Michael W. Price
  • "Offending Without Witnes": Recusancy, Equivocation, and Face Painting
    in John Donne's Early Life and Writing (51-81)
• Luba Freedman
  • The Faces of Bacchus and Apollo in Italian Renaissance Art (83-102)
• Raymond-Jean Frontain
  • Translating Heavenwards: "Upon the Translation of the Psalmes"
    and John Donne's Poetics of Praise (103-125)
• Ann C. Christensen
  • Of Household Stuff and Homes: The Stage and Social Practice
    in The Taming of the Shrew (127-145)
• David Cutts
  • Writing and Revenge: The Struggle for Authority
    in Thomas Kyd's The Spanish Tragedy (147-159)





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Volume 21 (1995)
Table of Contents

• John T. Shawcross
  • Assumptions and Reading Spenser (1-20)
• Mark Thornton Burnett
  • "Fill Gut and Pinch Belly": Writing Famine in the English Renaissance (21-44)
• Thomas Moisan
  • Robert Herrick's Jonsonian "Overplus" (45-62)
• Robert Barrie
  • "Unknown Languages" and Subversive Play in The Spanish Tragedy (63-80)
• N. I. Matar
  • English Renaissance Soldiers in the Armies of Islam (81-94)
• Clay Daniel
  • Epistola ad Patrem : Milton's Magnanimous Letter (95-104)
• Kent Harrelson
  • Reaching for "Unknowne Gayne" in The Shepheardes Calendar (105-120)
• Liana De Girolami Cheney
  • Giorgio Vasari's Sala dei Cento Giorni: A Farnese Celebration (121-150)





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Volume 20 (1994)
Table of Contents

• Maurice Hunt
  • Work, Sloth, and Warfare in Coriolanus (1-18)
• David Boocker
  • "according to our custom": Milton's Papal Attacks and Their Italian Sources
    (19-39)
• Cheryl M. Gibson
  • "'Tis not the meat, but 'tis the appetite": The Destruction of the Woman in the
    Poetry of Sir John Suckling (41-59)
• Laurie Taylor-Mitchell
  • Guild Commissions at Orsanmichele: Some Relationships Between Interior and Exterior Imagery in the Trecento and Quattrocento (61-88)
• Margaret Christian
  • Geneaology in the Age of Shakespeare (89-105)
• Jerald W. Spotswood
  • Isabella's "Speechless Dialect": Subversive Silence in Measure for Measure
    (107-125)
• Nahla M. Beier
  • Irresolvable Dialects: Donne's Sense of Disunity (127-141)
• Stephen S. Bennet
  • Milkmaids and Kings: Elizabeth's Gender and The Judgement of Paris
    (143-156)
• Mitali R. Pati
  • The Deranged Metaphor of the King's Body Politic in Marlowe's Edward II (157-173)





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Volume 19 (1993)
Table of Contents

• Barbara C. Bowen
  • Festive Humanism: The Case of Luscinius (1-18)
• Paul A. Parrish
  • "Musicks Duell": The Poem and the Tradition (19-43)
• Susan Treacy
  • Psalterium Carolinum: Music as Propaganda in Seventeenth-Century England (45-72)
• T. F. Wharton
  • "Furor Poeticus" Marston and his Contemporaries (73-84)
• Robert R. Burke
  • The Other Father in Much Ado about Nothing (85-96)
• John M. Mercer
  • Making the Twins Realistic in The Comedy of Errors and Twelfth Night
    (97-113)
• Elizabeth Porges Watson
  • Sylvanus' Tree Emblems at Kenilworth and Spenser's Februarie Eclogue
    (115-133)
• John R. Fisher
  • The Seven Deadly Passions: Edmund Spenser, Architectonike and Genre Critic (135-146)
• Ann Ashworth
  • Paradoxes of the Feminine in The Faerie Queene (147-160)
• Diane Chambers
  • "Salvation to All That Will Is Nigh": Public Meditation in John Donne's "La Corona" (161-172)
• Sheree L. Meyer
  • The Public Statements and Private Losses of Ben Jonson & Katherine Philips: The Poet as Bereaved Parent (173-182)





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Volume 18 (1992)
Table of Contents

• Craig Kallendorf
  • King Lear and the Figures of Speech (1-25)
• Christine Getz
  • Francesco II Sforza's Forgotten Cantor: Evidence of Image Propaganda
    in Sixteenth-Century Milan (27-54)
• Karl Josef Höltgen
  • Emblem and Meditation: Some English Emblem Books and Their Jesuit Models (55-91)
• James B. Potts, Jr.
  • Milton's "Two-Fold Scripture" and the Seventeenth-Century Search for Certitude (93-110)
• Paula. M. Woods
  • Greene's Conny-Catching Courtesans: The Moral Ambiguity of Prostitution (111-124)
• Diane S. Wood
  • Dido as Paradigm of the Tragic Heroine in the Works of Hélisenne de Crenne (125-136)
• Steven R. Shelburne
  • The Nature of "Error" in The Comedy of Errors (137-151)
• Rober G. Twombly
  • Prince Hamlet and the Subduing of Flesh by Cunning (153-163)





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Volume 17 (1991)
Table of Contents

• David Bevington
  • Marlowe and God (1-38)
• Daniel T. Lochman
  • Fiducia and fides in the Romans Expositio of John Colet: A Late Fifteenth-Century View (39-53)
• N. I. Matar
  • John Donne, Peter Sterry and the Ars Moriendi (55-70)
• Lester D. Brothers
  • "And They Vied with Each Other in Singing":
    Francis I and Leo X, Music and Diplomacy at Bologna, 1515 (71-85)
• Herbert C. Turrentine
  • Two Hymeneal Compositions: Reflections of Fifteenth-Century Ecclesiastical Diplomacy (87-108)
• Susan E. Krantz
  • Henslowe and Alleyn's Entrepreneurship at Its Best:
    A Reexamination of the Globe-Fortune Rivalry (109-124)
• Tita French Baumlin
  • "All yet seems well, and if it ends so meet":
    Ambiguity and Tragic Language in All's Well That Ends Well (125-143)
• Greg Bentley
  • Poetics of Power: Money as Sign and Substance in Romeo and Juliet (145-166)





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Volume 16 (1990)
Table of Contents

• Karl Josef Höltgen
  • Literary Art and Scientific Method in Robert Burton's Anatomy of Melancholy
    (1-36)
• Elizabeth Skerpan
  • Writer Languages Communities: Radical Pamphleteers and Legal Discourse
    in the English Revolution (37-56)
• Paula Payne
  • Aristotle's Rhetoric in Sidney's Eighth Song (57-65)
• James S. Baumlin
  • From Recusancy to Apostasy: Donne's "Satyre III" and "SatyreV" (67-85)
• Daniel T. Fischlin
  • "And tuned by thee:" Music and Divinity in George Herbert's Poetry (87-99)
• James B. Potts, Jr.
  • Milton and Augustine: The Rule of "Charity" (101-110)
• Jean Braybrook
  • The Curative Properties of Remy Belleau's Pierres Precieuses (111-128)
• Thomas Moisan
  • The "Argument" and the Opening of Robert Herrick's "Book" (129- 143)





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Volume 15 (1989)
Table of Contents

• Herbert C. Turrentine
  • Guillaume Dufay's Motet in Honor of St. Nicholas: The Bologna Connection
    (1-23)
• Elise Bickford Jorgens
  • Politics and Women in Cavalier Song: A Report from a Collection of
    Secular Song Manuscripts (25-48)
• John M. Mercer
  • Adaptation of Conventions in the Elizabethan Prose Dedication (49-58)
• Lynette C. Black
  • Iconography of the Devotional Aesthetic: A Study of the Title Page
    to La Ceppède's Théorèmes (59-82)
• Norman R. Muir
  • Middle-Class Heroism and the Cardinal Virtue Fortitude in Thomas Dekker's
    Honest Whore Plays (83-96)
• Liana De Girolami Cheney
  • Vasari's Depiction of Pliny's Histories (97-120)
• Elise Salem Manganaro
  • Songs and Sonnets in Astrophil and Stella: A Reading of Sidney's Poetics
    (121-135)
• Nati H. Krivatsy
  • Saint Roch and Exeter: A Note on a Unique STC at the Folger (137-144)





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Volume 14 (1988)
Table of Contents

• Arthur J. Slavin
  • "'Tis far off, And rather like a dream": Common Weal, Common Woe
    and Commonwealth (1-27)
• Mary A. Villeponteaux
  • "With her own will beguyld": The Captive Lady in Spenser's Amoretti (29-39)
• Paul Whitfield White
  • Calvinist and Puritan Attitudes Towards the Stage in Renaissance England
    (41-55)
• Darryl Tippens
  • Shakespeare and the Prodigal Son Tradition (57-77)
• Julia I. Miller
  • An Iconography of Form: Space and Light in Botticelli's St. Augustine
    and Ghirlandaio's St. Jerome (79-98)
• Margaret J. M. Ezell
  • Thomas Carew and the Erotic Law of Nature (99-114)
• Russel E. Murray, Jr.
  • On the Teaching Duties of the Maestro di Cappella in Sixteenth-Century Italy: The Processo against Pietro Pontio (115-128)





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Volume 13 (1987)
Table of Contents

• H. Colin Slim
  • A Painting about Music at Dresden by Jacopo Tintoretto (1-17)
• Robert F. Schmalz
  • The Missa Sig Sald und Heil: A South German Compendium of Fifteenth-Century
    Compositional Techniques (18-36)
• John J. Kiwiet
  • The Spirituality of John Amos Comenius (37-51)
• Maurice Poirier
  • The Disegno-Colore Controversy Reconsidered (52-86)
• Paul Yachnin
  • Social Competition in Middleton's Michaelmas Term (87-99)
• Clay Daniel
  • "The blind Fury," Providence and the Consolations of Lycidas (100-125)
• Christine Suzanne Getz
  • Modeling as a Clue to Chronology in the Second Generation of
    "Fors Seulement" Chansons (126-147)





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Volume 12 (1986)
Table of Contents

• E. R. Gregory
  • Milton and the Camenae (1-18)
• Herbert C. Turrentine
  • The Tombstone of Guillaume Dufay: A Reflection of Early Renaissance Hagiolatry (19-35)
• Patrick G. Hogan, Jr.
  • The Arcadia: From Sidney's Prose to Shirley's Drama (36-45)
• Phillip Parotti
  • Having It Both Ways: Renaissance Traditions in Robert Greene's "Mars and Venus" (46-57)
• Don D. Moore
  • Three Stage Versions of Measure for Measure's Duke: The Providential,
    the Pathetic, the Personable (58-67)
• Christopher Baker
  • The Christian Context of Falstaff's "Finer End" (68-86)
• Catherine Cox
  • Saturnalian Sacrifice: Comic-Tragic Blending in Hamlet (87-104)
• Jean MacIntyre
  • Conventions of Costume Change in Elizabethan Plays (105-114)





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Volume 11 (1985)
Table of Contents

• Louis L. Martz
  • English Religious Poetry, From Renaissance to Baroque (1-28)
• James S. Baumlin
  • Donne as Imitative Poet: The Evidence of "Satyre II" (29-42)
• Dan Crews
  • Juan de Valdés and Spanish Imperial Humanism (43-51)
• Liana De Girolami Cheney
  • The Paintings of the Casa Vasari in Arezzo (53-72)
• Vera Golini
  • The Literate Ladies of the Italian Renaissance (73-88)
• David. S. Berkeley and Zahra Karimipour
  • Blood-Consciousness as a Theme in The Winter's Tale (89-98)
• Elizabeth P. Skerpan
  • Rhetorical Genres and the Eikon Basilike (99-111)
• Kenneth Alan Hovey
  • Holy Wars and Civil Peace: George Herbert's Jacobean Politics
• L. A. Cummings
  • A New Basis for the Hand of George Chapman: The 1577 Rea Iamblichus Volume
    (120-127)





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Volume 10 (1984)
Table of Contents

• Phoebe S. Spinrad
  • Memento Mockery: Some Skulls on the Renaissance Stage (1-11)
• Joan G. Caldwell
  • A Distributive Justice By Giovanni Battista Franco (12-27)
• Donald R. Dickson
  • Vaughan's "The Water-fall" and Protestant Meditation (28-40)
• Peter J. Hodgson
  • Some Aspects of Structure in Renaissance Music (41-55)
• Maurice Hunt
  • Time and Timelessness in 1 Henry IV (56-66)
• Antonio Rodriguez-Buckingham
  • The Renaissance in the New World: Printing in Colonial South America (67-79)
• Richard C. Burke
  • Marvell's Nymph and Man's Uses of Nature (80-91)
• Johnye C. Sturcken
  • "Our lightye and learned tyme": William Turner and the Baths at Bath (92-96)
• Tita French
  • A "badge of fame": Shakespeare's Rhetorical Lucrece (97-106)





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Volumes 8-9 (1982-83)
Table of Contents

• Eunice D. Howe
  • The Miraculous Madonna in Fifteenth-Century Roman Painting (1-21)
• Joyce S. Beck
  • Donne's Scholastic Ars Dictaminis in a Verse Epistle to
    the Countess of Bedford (22-32)
• Lynette C. Black
  • Mary as Urania: A Study of the Invocation to Book III of La Ceppède's Théorèmes (33-44)
• J. R. Brink
  • Philosophical Poetry: The Contrasting Poetics of Sidney and Scaliger (45-53)
• J. Mark Meumann
  • Andrew Marvell and Sir Henry Wotton: Architectural Aesthetics Poeticized (54-73)
• Roslyn L. Knutson
  • The Repertory of the Chamberlain's Men, 1594-1595, With Observations on
    its Commercial Value (74-84)
• Dale G. Priest
  • Knave or Fool? Ithamore as Dramatic Paradigm in The Jew of Malta (85-96)
• Roger T. Simonds
  • The Teeth of the Law: Legal Interpretation in the Italian Renaissance (97-106)
• William Collins Watterson
  • Faunus and Melliflora Revisited, or, A Pastoral Knot Untied (107-114)
• Charles Whitney
  • Bacon and the Pathos of Novelty (115-123)
• Jack D. Winner
  • Valpone, Christopher Columbus, and Jonson's 'Age of Gold' (124-136)
• Index to Volumes 1-9 (137-139)





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Volume 7 (1981)
Table of Contents

• Robert A. Brinkley
  • The Dilemma of Paradise Lost (1-14)
• Barbara C. Ewell
  • Drayton's Endimion and Phoebe: An Allegory of Aesthetics (15-26)
• Michael L. Hall
  • "Drawing Myself for Others": The Ethos of the Essayist (27-35)
• David Sabrio
  • George Buchanan and Renaissance Latin Poetry (36-46)
• Diane S. Wood and Teeta M. Smith
  • Anachronistic Elements in Jehan Samxon's Les Iliades (1530) (47-60)





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Volume 6 (1980)
Table of Contents

• Thomas McGeary
  • Harpsichord Decoration--A Reflection of Renaissance Ideas About Music (1-27)
• Dale G. Priest
  • Subjunctivity in The Two Gentlemen of Verona (28-46)
• Phoebe S. Spinrad
  • Coping with Uncertainty in The Duchess of Malfi (47-63)
• David J. Stanley
  • The Renaissance Belvedere in Florentine Villas and Palaces (64-89)
• James J. Yoch, Jr.
  • Intrigue and Power in the Garden Plot: Scenery in Princely Villas (90-104)





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Volume 5 (1979)
Table of Contents

• Jay P. Anglin
  • Private-Venture Grammar Schools: An Elizabethan Alternative
    to the Endowed School System (1-19)
• Clive Hart
  • Flight in the Renaissance (20-32)
• Clarence O. Johnson
  • "Hoboyes"and Macbeth: A Note on Macbeth I.vi (33-39)
• Elizabeth S. Sasser
  • Reflections upon the Sources and Iconography of the Elephant in the Sculptural Decorations of the Malatesta Temple at Rimini (A.D. 1447-1455) (40-55)
• Lee Stavenhagen
  • Narrative Illustration Techniques and the Mute Books of Alchemy (56-69)
• Diane S. Wood
  • Virgilian Descents to the Underworld in Sixteenth-Century French Literature (70-83)





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Volume 4 (1978)
Table of Contents

• Lester D. Brothers
  • Sixteenth-Century Spanish Musicians in the New World (1-16)
• Frank Carney
  • George Herbert the Musician: Integration of Music into Poetry (17-31)
• Anna K. Nardo
  • Renaissance Syncretism and Milton's Convivial Sonnets (32-42)
• Josephine A. Roberts
  • Herculean Love in Sir Philip Sidney's Two Versions of Arcadia (43-54)
• Robert F. Schmalz
  • The Missa Hilf Und Gib Rat: Tradition in Reappraisal (55-69)
• James H. Sims
  • Os Lusiadas: A Structural Prototype of Paradise Lost? (70-75)





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Volume 3 (1976)
Table of Contents

• Armando Garzon-Blanco
  • The Jesuit Tragedia De San Hermenegildo, Seville, 1590 (1-19)
• Josiah Cox Russel
  • Population during the Renaissance (21-35)
• Mary E. Williams
  • Chapman's Duke of Byron and Apollo's Virtue (37-47)
• Ian Thomson
  • Guarino's Views on History and Historiography (49-69)
• Jacques F. Malet
  • Ronsard and Saint-Amant on the Theme of Winter: Two Approaches
    to the Humanistic Spirit (71-78)
• Ernst Breisach
  • Should Renaissance Historians Still Write Biographies? (79-94)





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Volume 2 (1975)
Table of Contents

• William Melczer
  • Cola Di Rienzo and Petrarch's Political Solitude (1-13)
• Gloria K. Fiero
  • Courtier and Commoner: Two Styles of Fifteenth Century Manuscript Illumination (15-34)
• Richard Kieckhefer
  • Popular Versus Learned Traditions in Fifteenth-Century Witch Beliefs (35-44)
• Judith D. Suther
  • Marguerite of Navarre's Quiet Victory over Misogyny (45-54)
• Robert J. Frankle
  • Some Aspects of Renaissance Slavery (55-65)
• Peter W. Guenther
  • Concerning the Destruction of Works of Art during the Reformation (67-88)





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Volume 1 (1974)
Table of Contents

• Maurice L. Shapiro
  • The Van Der Paele Altarpiece (1-22)
• Gary A. Stringer
  • Donne's "The Primrose": Manna and Numerological Dalliance (23-29)
• Panos P. Morphos
  • The Legacy of Montaigne (31-39)
• Robert J. Bauer
  • Rhetoric and Picture in Venus and Adonis (41-56)
• Ann M. Johnson
  • Clerical Wills of the English Reformation (57-64)
• Andrew S. Cairncross
  • Shakespeare and the History Play (65-78)





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