Antigone, by Sophocles
Translated by Ian Johnston
Background Note to the Story
When Oedipus, King of Thebes, discovered through his own investigations
that he had killed his father and married his mother, Jocasta, he put
out his own eyes, and Jocasta killed herself. Once Oedipus ceased being
king of Thebes, his two sons, Polyneices and Eteocles, agreed to
alternate as king. When Eteocles refused to give up power to
Polyneices, the latter collected a foreign army of Argives and attacked
the city. In the ensuing battle, the Thebans triumphed over the
invading forces, and the two brothers killed each other, with Eteocles
defending the city and Polyneices attacking it. The action of the play
begins immediately after the battle. Note that Creon is a brother of
Jocasta and thus an uncle of Antigone, Ismene, Eteocles, and Polyneices.
ANTIGONE: daughter of Oedipus.
ISMENE: daughter of Oedipus, sister of Antigone
CREON: king of Thebes
EURYDICE: wife of Creon
HAEMON: son of Creon and Euridice, engaged to Antigone.
TEIRESIAS: an old blind prophet
BOY: a young lad guiding Teiresias
GUARD: a soldier serving Creon.
CHORUS: Theban Elders
[In Thebes, directly in front of the royal palace, which stands in the background, its main doors facing the audience.
Enter Antigone leading Ismene away from the palace]
Now, dear Ismene, my own blood sister,
do you have any sense of all the troubles
Zeus keeps bringing on the two of us,
as long as we’re alive? All that misery
which stems from Oedipus? There’s no suffering,
no shame, no ruin—not one dishonour—
which I have not seen in all the troubles
you and I go through. What’s this they’re saying now,
something our general has had proclaimed
city? Do you know of
Have you heard? Or have you just missed the news?
Dishonours which better fit our enemies
are now being
piled up on the ones we
I’ve had no word at all, Antigone,
nothing good or bad about our family,
not since we two lost both our brothers,
killed on the same day by a double blow.
And since the Argive army, just last night,
has gone away, I don’t know any more
if I’ve been
lucky or face total
I know that. That’s why I brought you here,
outside the gates, so only you can hear.
What is it? The
way you look makes it
you’re thinking of some dark and gloomy news.
Look—what’s Creon doing with our two brothers?
He’s honouring one with a full funeral
and treating the other one disgracefully!
Eteocles, they say, has had his burial
according to our customary rites,
to win him
honour with the dead
But as for Polyneices, who perished
so miserably, an order has gone out
throughout the city—that’s what people say.
He’s to have no funeral or lament,
but to be left unburied and unwept,
a sweet treasure for the birds to look at,
for them to feed
on to their heart’s
That’s what people say the noble Creon
has announced to you and me—I mean to me—
and now he’s
coming to proclaim the
to state it clearly to those who have not heard.
For Creon this matter’s really serious.
Anyone who acts against the order
will be stoned to death before the city.
Now you know, and you’ll quickly demonstrate
whether you are nobly born, or else
a girl unworthy of her splendid ancestors.
Oh my poor sister, if that’s what’s happening,
what can I say that would be any help
to ease the
situation or resolve
Think whether you will work with me in this
and act together.
In what kind of work?
What do you mean?
Will you help these hands
take up Polyneices’ corpse and bury it?
What? You’re going to bury Polyneices,
when that’s been made a crime for all in Thebes?
Yes. I’ll do my duty to my brother—
and yours as well, if you’re not prepared to.
I won’t be caught betraying him.
You’re too rash.
Has Creon not
expressly banned that
Yes. But he’s no right to keep me from what’s mine.
O dear. Think, Antigone. Consider
how our father
died, hated and
when those mistakes which his own search revealed
forced him to turn his hand against himself
and stab out both his eyes. Then that woman,
his mother and his wife—her double role—
destroyed her own life in a twisted noose.
Then there’s our own two brothers, both butchered
in a single
with their own hands slaughtered one another
and brought about their common doom.
Now, the two of us are left here quite alone.
Think how we’ll die far worse than all the rest,
if we defy the
law and move
the king’s decree, against his royal power.
We must remember that by birth we’re women,
and, as such, we shouldn’t fight with men.
Since those who rule are much more powerful,
we must obey in
this and in
which bring us even harsher agonies.
So I’ll ask those underground for pardon—
since I’m being compelled, I will obey
those in control. That’s what I’m forced to do.
It makes no sense to try to do too much.
I wouldn’t urge you to. No. Not even
if you were keen to act. Doing this with you
would bring me
no joy. So be what you
I’ll still bury him. It would be fine to die
that. I’ll lie there with
with a man I love, pure and innocent,
for all my crime. My honours for the dead
must last much longer than for those up here.
I’ll lie down there forever. As for you,
well, if you wish, you can show contempt
for those laws the gods all hold in honour.
I’m not disrespecting them. But I can’t act
against the state. That’s not in my nature.
Let that be your
excuse. I’m going
to make a burial
mound for my dear
Oh poor Antigone, I’m so afraid for you.
Don’t fear for me. Set your own fate in order.
Make sure you don’t reveal to anyone
what you intend. Keep it closely hidden.
I’ll do the same.
No, no. Announce the fact—
if you don’t let everybody know,
I’ll despise your silence even more.
Your heart is hot to do cold deeds.
But I know
I’ll please the ones I’m duty bound to please.
Yes, if you can.
But you’re after
which you’re incapable of carrying out.
Well, when my strength is gone, then I’ll give up.
A vain attempt should not be made at all.
I’ll hate you if you’re going to talk that way.
And you’ll rightly earn the loathing of the dead.
So leave me and my foolishness alone—
we’ll get through this fearful thing. I won’t suffer
anything as bad as a disgraceful death.
All right then, go, if that’s what you think right.
this—even though your
makes no sense, your friends do truly love you.
[Exit Antigone away from the palace. Ismene watches her go and then returns slowly
into the palace. Enter the Chorus of Theban elders]
O ray of
most beautiful that ever shone
on Thebes, city of the seven gates,
you’ve appeared at last,
you glowing eye of golden day,
moving above the streams of Dirce,*
driving into headlong flight
the white-shield warrior from Argos,
who marched here
now forced back by your sharper power.
Against our land
sent here by the warring claims
of Polyneices, with piercing screams,
an eagle flying above our land,
covered wings as white as snow,
and hordes of warriors in arms,
helmets topped with horsehair crests.
Standing above our homes,
he ranged around
with threats to swallow us
and spears thirsting to kill.
Before his jaws
had had their
and gorged themselves on Theban blood,
before Hephaistos’ pine-torch flames
had seized our towers, our fortress crown,*
he went back, driven in retreat.
Behind him rings the din of war—
his enemy, the Theban dragon-snake,
for him to
Zeus hates an arrogant boasting tongue.
Seeing them march here in a mighty stream,
in all their
he hurled his fire and struck the man,
up there, on our battlements, as he began
to scream aloud his victory.
The man swung down, torch still in hand,
and smashed into unyielding earth—
the one who not so long ago attacked,
who launched his
to blast us, breathing raging storms.
But things turned out not as he’d hoped.
Great war god Ares assisted us—
he smashed them
down and doomed them
to a very different fate.
Seven captains at seven gates
matched against seven equal warriors
paid Zeus their full bronze tribute,
the god who turns the battle tide,
all but that
pair of wretched
born of one father and one mother, too—
who set their conquering spears against each other
and then both shared a common death.
Now victory with her glorious name
has come, bringing joy to well-armed Thebes.
done—let’s strive now to
with songs and dancing all night long,
with Bacchus leading us to make Thebes shake.
[The palace doors are thrown open and guards appear at the doors]
But here comes Creon, new king of our land,
Menoikeos. Thanks to the
who’ve brought about our new good fortune.
What plan of action does he have in mind?
What’s made him
hold this special
with elders summoned by a general call?
[Enter Creon from the palace. He addresses the assembled elders]
Men, after much tossing of our ship of state,
the gods have safely set things right again.
Of all the citizens I’ve summoned you,
because I know how well you showed respect
for the eternal power of the throne,
first with Laius
and again with
once he restored our city.* When he died,
you stood by his children, firm in loyalty.
Now his sons have perished in a single day,
killing each other with their own two hands,
slaughter, stained with brother’s
And so I have the throne, all royal power,
for I’m the one most closely linked by blood
to those who have been killed. It’s impossible
to really know a man, to know his soul,
his mind and
will, before one
his skill in governing and making laws.
For me, a man who rules the entire state
and does not take the best advice there is,
but through fear
keeps his mouth forever
such a man is the very worst of men—
and always will be. And a man who thinks
more highly of a friend than of his country,
well, he means nothing to me. Let Zeus know,
the god who always watches everything,
I would not stay
silent if I saw
moving here against the citizens,
a threat to their security. For anyone
who acts against the state, its enemy,
I’d never make my friend. For I know well
our country is a ship which keeps us safe,
and only when it sails its proper course
do we make friends. These are the principles
I’ll use in order to protect our state.
That’s why I’ve announced to all citizens
my orders for
the sons of
Eteocles, who perished in the fight
to save our city, the best and bravest
of our spearmen, will have his burial,
with all those purifying rituals
which accompany the noblest corpses,
as they move below. As for his brother—
that Polyneices, who returned from exile,
eager to wipe
out in all-consuming
his ancestral city and its native gods,
keen to seize
upon his family’s
and lead men into slavery—for him,
the proclamation in the state declares
he’ll have no burial mound, no funeral rites,
and no lament. He’ll be left unburied,
his body there for birds and dogs to eat,
a clear reminder of his shameful fate.
That’s my decision. For I’ll never act
to respect an evil man with honours
in preference to a man who’s acted well.
well disposed towards our
alive or dead,
that man I will
Son of Menoikeos, if that’s your will
for this city’s friends and enemies,
it seems to me you now control all laws
concerning those who’ve died and us as well—
the ones who are still living.
See to it then,
and act as guardians of what’s been proclaimed.
Give that task to younger men to deal with.
There are men assigned to oversee the corpse.
remains that you would have us
Don’t yield to those who contravene my orders.
CHORUS LEADER: No one is such a fool that he loves
Yes, that will be his full reward, indeed.
And yet men have often been destroyed
because they hoped to profit in some way.
[Enter a guard, coming towards the palace]
My lord, I can’t say I’ve come out of breath
by running here, making my feet move fast.
Many times I stopped to think things over—
and then I’d turn around, retrace my steps.
My mind was
saying many things to
"You fool, why go to where you know for sure
your punishment awaits?"—"And now, poor man,
why are you hesitating yet again?
If Creon finds
this out from someone
how will you escape being hurt?" Such matters
kept my mind preoccupied. And so I went,
slowly and reluctantly, and thus made
a short road turn into a lengthy one.
But then the view that I should come to you
won out. If what
I have to say is
I’ll say it nonetheless. For I’ve come here
clinging to the hope that I’ll not suffer
anything that’s not part of my destiny.
What’s happening that’s made you so upset?
I want to tell you first about myself.
I did not do it. And I didn’t see
the one who did. So it would be unjust
if I should come
You hedge so much.
Clearly you have news of something ominous.
things that make me pause a
Why not say it and then go—just leave.
All right, I’ll tell you. It’s about the corpse.
Someone has buried it and disappeared,
after spreading thirsty dust onto the flesh
and undertaking all appropriate rites.
What are you saying? What man would dare this?
I don’t know. There was no sign of digging,
no marks of any
pick axe or a
The ground was dry and hard and very smooth,
without a wheel
track. Whoever did
left no trace. When the first man on day watch
revealed it to us, we were all amazed.
The corpse was hidden, but not in a tomb.
It was lightly covered up with dirt,
as if someone wanted to avert a curse.
There was no trace of a wild animal
or dogs who’d come to rip the corpse apart.
Then the words flew round among us all,
with every guard
We were about to
fight, to come to
no one was there to put a stop to it.
Every one of us was responsible,
but none of us was clearly in the wrong.
In our defence we pleaded ignorance.
Then we each stated we were quite prepared
to pick up red-hot iron, walk through flames,
or swear by all the gods that we’d not done it,
we’d no idea how the act was planned,
or how it had been carried out. At last,
when all our
searching had proved
one man spoke up, and his words forced us all
to drop our
faces to the ground in
We couldn’t see things working out for us,
whether we agreed or disagreed with him.
He said we must report this act to you—
we must not hide it. And his view prevailed.
I was the unlucky man who won the prize,
the luck of the draw. That’s why I’m now here,
not of my own free will or by your choice.
I know that—for
no one likes a
who comes bearing unwelcome news with him.
My lord, I’ve been wondering for some time now—
could this act not be something from the gods?
what you’re about to
enrages me completely and reveals
that you’re not only old but stupid, too.
No one can tolerate what you’ve just said,
when you claim gods might care about this corpse.
Would they pay extraordinary honours
and bury as a
man who’d served them
someone who came to burn their offerings,
their pillared temples, to torch their lands
and scatter all its laws? Or do you see
gods paying respect to evil men? No, no.
For quite a while some people in the town
have secretly been muttering against me.
They don’t agree with what I have decreed.
They shake their heads and have not kept their necks
under my yoke, as they are duty bound to do
if they were men
who are content with
I well know that these guards were led astray—
such men urged them to carry out this act
for money. To foster evil actions,
to make them commonplace among all men,
nothing is as powerful as money.
It destroys cities, driving men from home.
Money trains and twists the minds in worthy men,
so they then undertake disgraceful acts.
men to live as
But those who carry out such acts for cash
sooner or later see how for their crimes
they pay the penalty. For if great Zeus
still has my respect, then understand this—
I swear to you on oath—unless you find
the one whose hands really buried him,
unless you bring him here before my eyes,
then death for you will never be enough.
No, not before you’re hung up still alive
and you confess to this gross, violent act.
That way you’ll
understand in future
when there’s a profit to be gained from theft,
you’ll learn that it’s not good to be in love
with every kind of monetary gain.
You’ll know more men are ruined than are saved
when they earn profits from dishonest schemes.
Do I have your permission to speak now,
or do I just turn around and go away?
But I find your voice so irritating—
don’t you realize that?
Where does it
Is it in your ears or in your mind?
Why try to question where I feel my pain?
The man who did it—he upsets your mind.
I offend your ears.
My, my, it’s clear to see
it's natural for
you to chatter
Perhaps. But I never did this.
This and more—
you sold your life for silver.
How strange and sad
when the one who sorts this out gets it all wrong.
CREON: Well, enjoy your sophisticated views.
But if you don’t
reveal to me who did
you’ll just confirm how much your treasonous gains
have made you suffer.
[Exit Creon back into the palace. The doors close behind him]
Well, I hope he’s found.
That would be best. But whether caught or not—
and that’s something sheer chance will bring about—
you won’t see me coming here again.
against all hope and
I’m still unhurt. I owe the gods great thanks.
[Exit the Guard away from the palace]
CHORUS (Ode To Man)
There are many strange and wonderful things,
but nothing more strangely wonderful than man.
He moves across the white-capped ocean
blasted by winter storms, carving his way
under the surging waves engulfing him.
With his teams of horses he wears down
the unwearied and immortal earth,
the oldest of the gods, harassing her,
as year by year his ploughs move back and
He snares the light-winged flocks of birds,
herds of wild beasts, creatures from deep seas,
trapped in the fine mesh of his hunting nets.
O resourceful man, whose skill can
ferocious beasts roaming mountain
He curbs the rough-haired horses with his bit
and tames the inexhaustible mountain bulls,
setting their savage necks beneath his yoke.
He’s taught himself speech and wind-swift thought,
trained his feelings for communal civic life,
learning to escape the icy shafts of frost,
volleys of pelting rain in winter storms,
the harsh life lived under the open sky.
That’s man—so resourceful in all he
There’s no event his skill cannot confront—
other than death—that alone he cannot shun,
although for many baffling sicknesses
he has discovered his own remedies.
The qualities of his inventive skills
bring arts beyond his dreams and lead him on,
sometimes to evil and sometimes to good.
If he treats his country’s laws with due respect
and honours justice by swearing on the gods,
he wins high honours in his
But when he grows bold and turns to
then he has no city. A man like that—
let him not share my home or know my mind.
[Enter the Guard, bringing Antigone with him. She is not resisting]
What this? I fear some omen from the gods.
I can’t deny what I see here so clearly—
that young girl there—it’s Antigone.
Oh you poor girl, daughter of Oedipus,
child of a such a father, so unfortunate,
what’s going on? Surely they’ve not brought you here
disobeyed the royal
caught you acting
This here’s the one who carried out the act.
We caught her as she was burying the corpse.
[The palace doors open. Enter Creon with attendants]
He’s coming from the house—
and just in time.
Why have I come "just in time"?
What’s happening? What is it?
human beings should never take an oath
there’s something they’ll not do—for later thoughts
they first meant. I’d have
I’d not soon
venture here again. Back
the threats you made brought me a lot of grief.
But there’s no joy as great as what we pray for
against all hope. And so I have come back,
breaking that oath I swore. I bring this girl,
captured while she was honouring the grave.
This time we did not draw lots. No. This time
I was the lucky man, not someone else.
And now, my lord, take her for questioning.
Convict her. Do as you wish. As for me,
by rights I’m free and clear of all this trouble.
This girl here—how did you catch her? And where?
She was burying that man. Now you know
all there is to know.
Do you understand
just what you’re saying? Are your words the truth?
We saw this girl giving that dead man’s corpse
full burial rites—an act you’d made illegal.
Is what I say simple and clear enough?
How did you see her, catch her in the act?
It happened this way. When we got there,
those awful threats from
we swept off all the dust covering the corpse,
so the damp body
Then we sat down on rising ground up wind,
to escape the body’s putrid rotting stench.
We traded insults just to stay awake,
in case someone was careless on the job.
That’s how we spent the time right up ’til noon,
when the sun’s bright circle in the sky
had moved half way and it was burning hot.
Then suddenly a
whipping clouds of dust up from the ground,
filling the plain—some heaven-sent trouble.
In that level place the dirt storm damaged
all the forest growth, and the air around 
was filled with dust for miles. We shut our mouths
and just endured this scourge sent from the gods.
A long time passed. The storm came to an end.
That’s when we saw the girl. She was shrieking—
a distressing painful cry, just like a bird
who’s seen an empty nest, its fledglings gone.
That’s how she was when she saw the naked corpse.
She screamed out a lament, and then she swore,
calling evil curses down upon the ones
who’d done this. Then right away her hands
threw on the thirsty dust. She lifted up
a finely made bronze jug and then three times
poured out her tributes to the dead.
When we saw that, we rushed up right away
and grabbed her. She was not afraid at all.
We charged her
with her previous
as well as this one. She just kept standing there,
denying nothing. That made me happy—
though it was painful, too. For it’s a joy
escaping troubles which affect oneself,
but painful to bring evil on one’s friends.
But all that is of less concern to me
than my own
You there—you with your face
bent down towards the ground, what do you say?
Do you deny you did this or admit it?
I admit I did
it. I won’t deny
CREON [to the Guard]
You’re dismissed—go where you want. You’re free—
no serious charges made against you.
[Exit the Guard. Creon turns to interrogate Antigone]
Tell me briefly—not in some lengthy speech—
were you aware there was a proclamation
forbidding what you did?
I’d heard of it.
How could I not? It was public knowledge.
And yet you dared to break those very laws?
Yes. Zeus did not announce those laws to me.
And Justice living with the gods below
sent no such laws for men. I did not think
anything which you proclaimed strong enough
to let a mortal override the gods
and their unwritten and unchanging laws.
They’re not just for today or yesterday,
but exist forever, and no one knows
where they first appeared. So I did not mean
to let a fear of any human will
lead to my punishment among the gods.
I know all too
well I’m going to
how could I
not?—it makes no
what you decree. And if I have to die
before my time, well, I count that a gain.
When someone has to live the way I do,
surrounded by so many evil things,
how can she fail to find a benefit
in death? And so for me meeting this fate
won’t bring any pain. But if I’d allowed
my own mother’s dead son to just lie there,
an unburied corpse, then I’d feel distress.
What’s going on
here does not hurt me at
If you think what I’m doing now is stupid,
being charged with
by someone who’s a fool.
It’s clear enough
the spirit in this girl is passionate—
her father was the same. She has no sense
of compromise in times of trouble.
CREON [to the Chorus Leader]
But you should know the most obdurate wills
are those most prone to break. The strongest iron
tempered in the fire to make it really hard—
that’s the kind
you see most often
I’m well aware the most tempestuous horses
are tamed by one small bit. Pride has no place
in anyone who is his neighbour’s slave.
This girl here was already very insolent
in contravening laws we had proclaimed.
Here she again displays her proud contempt—
having done the act, she now boasts of it.
She laughs at what she’s done. Well, in this case,
if she gets her way and goes unpunished,
then she’s the man here, not me.
No. She may
my sister’s child, closer to me by blood
than anyone belonging to my house
who worships Zeus Herkeios in my home,*
but she’ll not escape my harshest punishment—
her sister, too, whom I accuse as well.
She had an equal
part in all their
to do this burial. Go summon her here.
I saw her just now inside the palace,
her mind out of control, some kind of fit.
[Exit attendants into the palace to fetch Ismene]
hatch their mischief in the
their minds often convict them in advance,
betraying their treachery. How I despise
a person caught committing evil acts
who then desires to glorify the crime.
Take me and kill me—what more do you want?
Me? Nothing. With that I have everything.
Then why delay? There’s nothing in your words
that I enjoy—may
that always be the
And what I say displeases you as much.
But where could
I gain greater
than setting my own brother in his grave?
All those here would confirm this pleases them
if their lips weren’t sealed by fear—being king,
which offers all sorts of various benefits,
means you can talk and act just as you wish.
In all of Thebes, you’re the only one
who looks at things that way.
They share my views,
but they keep their mouths shut just for you.
These views of yours—so different from the rest—
don’t they bring
you any sense of
No—there’s nothing shameful in honouring
my mother’s children.
You had a brother
killed fighting for the other side.
Yes—from the same mother and father, too.
Why then give tributes which insult his name?
But his dead corpse won’t back up what you say.
Yes, he will, if you give equal honours
to a wicked man.
But the one who died
was not some slave—it was his own brother.
destroying this country—the other
went to his death defending it.
That may be,
but Hades still desires equal rites for both.*
A good man does
not wish what we give
to be the same an evil man receives.
Who knows? In the world below perhaps
such actions are no crime.
can never be a friend, not even in death.
But my nature is to love. I cannot hate.
Then go down to the dead. If you must love,
love them. No
woman’s going to govern
no, no—not while I’m still alive.
[Enter two attendants from the house bringing Ismene to Creon]
Ismene’s coming. There—right by the door.
She’s crying. How she must love her sister!
From her forehead a cloud casts its shadow
down across her darkly flushing face—
and drops its
rain onto her lovely
You there—you snake lurking in my house,
sucking out my life’s blood so secretly.
I’d no idea I was nurturing two pests,
who aimed to
rise against my throne. Come
Tell me this—do you admit you played your part
in this burial, or will you swear an oath
you had no knowledge of it?
I did it—
I admit it, and she’ll back me up.
So I bear the guilt as well.
justice will not allow you to say that.
You didn’t want to. I didn’t work with you.
But now you’re
in trouble, I’m not
of suffering, too, as your companion.
Hades and the
dead can say who did
I don’t love a friend whose love is only words.
You’re my sister. Don’t dishonour me.
Let me respect the dead and die with you.
Don’t try to share my death or make a claim
to actions which you did not do. I’ll die—
and that will be enough.
But if you’re gone,
what is there in life for me to love?
Ask Creon. He’s the one you care about.
Why hurt me like
this? It doesn’t help
If I am mocking
you, it pains me,
Even now is there some way I can help?
Save yourself. I won’t envy your escape.
I feel so wretched leaving you to die.
But you chose life—it was my choice to die.
But not before I’d said those words just now.
Some people may approve of how you think—
others will believe my judgment’s good.
But the mistake’s the same for both of us.
Be brave. You’re alive. But my spirit died
some time ago so
I might help the
I’d say one of these girls has just revealed
how mad she is—the other’s been that way
since she was born.
My lord, whatever good sense
people have by birth no longer stays with them
once their lives go wrong—it abandons them.
In your case, that’s true, once you made your choice
to act in evil ways with wicked people.
How could I live alone, without her here?
Don’t speak of her being here. Her life is over.
You’re going to
kill your own son’s
Why not? There are other fields for him to plough.
No one will make him a more loving wife
than she will.
I have no desire my son
should have an evil wife.
how your father wrongs you.
I’ve had enough of this—
you and your marriage.
You really want that?
You’re going to take her from him?
No, not me.
Hades is the one who’ll stop the marriage.
So she must die—that seems decided on.
Yes—for you and
me the matter’s
[Creon turns to address his attendants]
No more delay. You slaves, take them inside.
From this point on they must act like women
and have no liberty to wander off.
Even bold men
run when they see
coming close to them to snatch their lives.
[The attendants take Antigone and Ismene into the palace, leaving Creon and the Chorus on stage]
Those who live without tasting evil
have happy lives—for when the gods
shake a house to its foundations,
then inevitable disasters strike,
just as a surging ocean swell
running before cruel Thracian winds
across the dark trench of the sea
churns up the
and crashes headlong on the cliffs,
which scream in pain against the wind.
I see this house’s age-old sorrows,
the house of Labdakos’ children,*
sorrows falling on the sorrows of the dead,
to generations after it—some god
strikes at them—on and on without an end.
For now the light which has been shining
over the last
roots of Oedipus’
is being cut down with a bloody knife
belonging to the gods below—
for foolish talk and frenzy in the soul.
Oh Zeus, what human trespasses
can check your power? Even Sleep,
who casts his
cannot master that—nor can the months,
the tireless months the gods control.
A sovereign who cannot grow old,
you hold Olympus as your own,*
in all its
From now on into all future time,
as in the past, your law holds firm.
It never enters lives of human beings
in its full force without disaster.
Hope ranging far
and wide brings
to many men—but then hope can deceive,
delusions born of volatile desire.
It comes upon the man who’s ignorant
until his foot is seared in burning fire.
has revealed to
this famous saying—sometimes the gods
lure a man’s mind forward to disaster,
and he thinks evil’s something good.
But then he lives only the briefest time
free of catastrophe.
[The palace doors open]
your only living son. Is he grieving
the fate of Antigone, his bride,
bitter that his
marriage hopes are
We’ll soon find out—more accurately
than any prophet here could indicate.
[Enter Haemon from the palace]
My son, have you heard the sentence that’s been passed
upon your bride? And have you now come here
angry at your father? Or are you loyal to me,
on my side no matter what I do?
yours. For me your
and the ways you act on them are good—
I shall follow them. I’ll not consider
any marriage a greater benefit
than your fine leadership.
Indeed, my son,
that’s how your heart should always be resolved,
to stand behind
on every issue. That’s what men pray for—
obedient children growing up at home
who will pay back their father’s enemies,
evil to them for
evil done to
while honouring his friends as much as he does.
A man who fathers useless children—
what can one say of him except he’s bred
troubles for himself, and much to laugh at
for those who fight against him? So, my son,
don’t ever throw good sense aside for pleasure,
for some woman’s sake. You understand
embraces can turn freezing
when an evil woman shares your life at home.
wound is there than a false
So spit this girl out—she’s your enemy.
Let her marry someone else in Hades.
Since I caught her clearly disobeying,
the only culprit in the entire city,
I won’t perjure myself before the state.
No—I’ll kill her. And so let her appeal
to Zeus, the god of blood relationships.
If I foster any lack of full respect
in my own family, I surely do the same
with those who
are not linked to me by
The man who acts well with his household
will be found a just man in the city.*
I’d trust such a man to govern wisely
or to be content with someone ruling him.
And in the thick
of battle at his
he’ll stand firm beside his fellow soldier,
a loyal, brave man. But anyone who’s proud
and violates our laws or thinks he’ll tell
our leaders what to do, a man like that
wins no praise
from me. No. We must
whatever man the city puts in charge,
no matter what the issue—great or small,
just or unjust. For there’s no greater evil
than a lack of leadership. That destroys
whole cities, turns households into ruins,
and in war makes soldiers break and run away.
When men succeed, what keeps their lives secure
in almost every case is their obedience.
That’s why they must support those in control,
and never let some woman beat us down.
If we must fall from power, let that come
at some man’s hand—at least, we won’t be called
inferior to any woman.
Unless we’re being deceived by our old age,
what you’ve just said seems reasonable to us.
Father, the gods instill good sense in men—
the greatest of all the things which we possess.
I could not find your words somehow not right—
I hope that’s something I never learn to do.
But other words
might be good, as
Because of who you are, you can't perceive
all the things men say or do—or their complaints.
Your gaze makes
say anything you would not like to hear.
But in the darkness I can hear them talk—
the city is upset about the girl.
They say of all women here she’s least deserves
the worst of deaths for her most glorious act.
When in the slaughter her own brother died,
she did not just leave him there
to be ripped apart by carrion dogs or birds.
Surely she deserves some golden honour?
That’s the dark secret rumour people
For me, father, nothing is more valuable
than your well being. For any children,
what could be a greater honour to them
than their father’s thriving reputation?
A father feels the same about his sons.
So don’t let your mind dwell on just one thought,
that what you say is right and nothing
A man who thinks that only he is wise,
that he can speak and think like no one else,
when such men are exposed, then all can see
inside. For any
even if he’s wise, there’s nothing shameful
in learning many things, staying flexible.
You notice how in winter floods the trees
which bend before the storm preserve their twigs.
The ones who stand against it are destroyed,
root and branch.
In the same way, those
who keep their sails stretched tight, never easing off,
make their ship capsize—and from that point on
sail with their rowing benches all submerged.
So end your anger. Permit yourself to change.
For if I, as a younger man, may state
my views, I’d
say it would be for the
if men by nature understood all things—
if not, and that is usually the case,
when men speak well, it good to learn from them.
My lord, if what
he’s said is
it seems appropriate to learn from him,
and you too, Haemon, listen to the king.
The things which you both said were excellent.
And men my age—are we then going to school
to learn what’s wise from men as young as him?
There’s nothing wrong in that. And if I’m young,
don’t think about my age—look at what I do.
And what you
do—does that include
honouring those who act against our laws?
I would not
to show respect to evil men.
is she not suffering from the same disease?
The people here in Thebes all say the same—
they deny she is.
So the city now
will instruct me how I am to govern?
Now you’re talking like someone far too young.
Don’t you see that?
Am I to rule this land
at someone else’s whim or by myself?
A city which belongs to just one man
is no true city.
According to our laws,
does not the ruler own the city?
By yourself you’d make an excellent king
but in a desert.
It seems as if this boy
is fighting on the woman’s side.
if you’re the woman. I’m concerned for you.
You’re the worst there is—you set your judgment up
against your father.
No, not when I see
you making a mistake and being unjust.
Is it a mistake to honour my own rule?
honouring that by trampling
the gods’ prerogatives.
You foul creature—
you’re worse than any woman.
You’ll not catch me
giving way to some disgrace.
But your words
all speak on her behalf.
And yours and mine—
and for the gods below.
You woman’s slave—
don’t try to win me over.
What do you want—
to speak and never hear someone reply?*
marry her while she’s
Then she’ll die—and in her death kill someone else.
Are you so
insolent you threaten
Where’s the threat in challenging a bad decree?
You’ll regret parading what you think like this—
you—a person with an empty brain!
If you were not my father, I might say
you were not thinking straight.
Would you, indeed?
Well, then, by Olympus, I’ll have you know
you’ll be sorry for demeaning me
with all these insults.
[Creon turns to his attendants]
Go bring her
that hateful creature, so she can die right here,
present, before her bridegroom’s
No. Don’t ever hope for that. She’ll not die
with me just standing there. And as for you—
your eyes will never see my face again.
So let your rage charge on among your friends
who want to stand by you in this.
[Exit Haemon, running back into the palace]
My lord, Haemon left in such a hurry.
He’s angry—in a young man at his age
the mind turns bitter when he’s feeling hurt.
Let him dream up or carry out great deeds
beyond the power
of man, he’ll not save these
their fate is sealed.
Are you going to kill them
No—not the one whose hands are clean. You’re right.
How do you plan to kill Antigone?
I’ll take her on a path no people use,
and hide her in a cavern in the rocks,
while still alive. I’ll set out provisions,
as much as piety requires, to make sure
the city is not totally corrupted.*
Then she can speak her prayers to Hades,
the only god she
avoiding death—or else, at least, she’ll learn,
although too late, how it’s a waste of time
to work to
honour those whom Hades
O Eros, the conqueror in every fight,*
Eros, who squanders all men’s wealth,
who sleeps at night on girls’ soft cheeks,
and roams across the ocean seas
and through the shepherd’s hut—
no immortal god escapes from you,
nor any man, who
lives but for a
And the one whom
you possess goes
Even in good men you twist their minds,
perverting them to their own ruin.
You provoke these men to family strife.
The bride’s desire seen glittering in her eyes—
that conquers everything, its power
enthroned beside eternal laws, for there
Aphrodite works her
whose ways are irresistible.*
[Antigone enters from the palace with attendants who are taking her away to her execution]
When I look at
her I forget my
I lose restraint and can’t hold back my tears—
Antigone going to her bridal room
where all are laid to rest in death.
Look at me, my native citizens,
as I go on my final journey,
as I gaze upon the sunlight one last time,
which I’ll never see again—for Hades,
who brings all people to their final sleep,
leads me on,
while I’m still
down to the
I’ve not yet had my bridal chant,
nor has any wedding song been sung—
for my marriage is to Acheron.
Surely you carry fame with you and praise,
as you move to the deep home of the dead.
You were not stricken by lethal disease
or paid your
wages with a
No. You were in charge of your own fate.
So of all living human beings, you alone
make your way
down to Hades still
I’ve heard about a guest of ours,
daughter of Tantalus, from Phrygia—
she went to an excruciating death
in Sipylus, right on the mountain peak.
The stone there, just like clinging ivy,
wore her down, and now, so people say,
the snow and
rain never leave her
as she laments. Below her weeping eyes
her neck is wet with tears. God brings me
to a final rest
which most resembles
But Niobe was a goddess, born divine—
and we are human beings, a race which dies.
But still, it’s a fine thing for a woman,
once she’s dead, to have it said she shared,
in life and death, the fate of demi-gods.*
Oh, you are mocking me! Why me—
by our fathers’ gods—why do you all,
my own city and the richest men of Thebes,
insult me now right to my face,
Well at least I have Dirce’s springs,
the holy grounds of Thebes,
a city full of splendid chariots,
to witness how no friends lament for me
as I move on—you see the laws
which lead me to my rock-bound prison,
a tomb made just for me. Alas!
In my wretchedness I have no home,
not with human beings or corpses,
not with the living or the dead.
You pushed your daring to the limit, my child,
and tripped against Justice’s high altar—
perhaps your agonies are paying back
some compensation for your father.*
Now there you touch on my most painful thought—
my father’s destiny—always on my mind,
along with that whole fate which sticks to us,
the splendid house of Labdakos—the curse
arising from a mother’s marriage bed,
when she had sex with her own son, my father.
From what kind of parents was I born,
their wretched daughter? I go to them,
unmarried and accursed, an outcast.
Alas, too, for my brother Polyneices,
who made a fatal marriage and then died—
and with that death killed me while still alive.*
To be piously devout shows reverence,
but powerful men, who in their persons
incorporate authority, cannot bear
anyone to break their rules. Hence, you die
because of your own selfish will.
Without lament, without a friend,
and with no marriage song, I’m being led
in this miserable state, along my final road.
So wretched that
I no longer have the
to look upon the sun, that sacred eye.
But my fate prompts no tears, and no friend mourns.
Don’t you know that no one faced with death
would ever stop the singing and the groans,
if that would
help? Take her and shut her
as I have ordered, in her tomb’s embrace.
And get it done as quickly as you can.
Then leave her there alone, all by herself—
she can sort out whether she wants suicide
or remains alive, buried in a place like that.
As far as she’s concerned, we bear no guilt.
But she’s lost
her place living here with
Oh my tomb and bridal chamber—
my eternal hollow dwelling place,
where I go to
join my people. Most of
have perished—Persephone has welcomed them
among the dead.* I’m the last one, dying here
the most evil death by far, as I move down
before the time allotted for my life is done.
But I go nourishing the vital hope
my father will be pleased to see me come,
and you, too, my mother, will welcome me,
as well as you, my own dear brother.
When you died,
with my own hands I washed
I arranged your
corpse and at the grave
poured out libations. But now, Polyneices,
this is my reward for covering your corpse.*
However, for wise people I was right
to honour you. I’d never have done it
for children of my own, not as their mother,
nor for a dead husband lying in decay—
no, not in defiance of the citizens.
What law do I appeal to, claiming this?
If my husband died, there’d be another one,
and if I were to lose a child of mine
I’d have another with some other man.
But since my father and my mother, too,
are hidden away in Hades’ house,
I’ll never have another living brother.
That was the law I used to honour you.
But Creon thought that I was in the wrong
and acting recklessly for you, my brother.
Now he seizes me by force and leads me here—
no wedding and no bridal song, no share
in married life
Instead I go in sorrow to my grave,
friends, to die while still
What holy justice have I violated?
In my wretchedness, why should I still look
up to the gods? Which one can I invoke
to bring me help, when for my reverence
they charge me with impiety? Well, then,
if this is something fine among the gods,
I’ll come to recognize that I’ve done wrong.
But if these
people here are being
may they endure no greater punishment
than the injustices they’re doing to me.
The same storm blasts continue to attack
the mind in this
Then those escorting her
will be sorry they’re so slow.
those words mean death is very near at hand.
I won’t encourage you or cheer you up,
by saying the sentence won’t be carried out.
O city of my fathers
in this land of
and my ancestral gods,
I am being led away.
No more delaying for me.
Look on me, you
the last survivor of your royal house,
see what I have to undergo,
the kind of men who do this to me,
for paying reverence to true piety.
[Antigone is led away under escort]
In her brass-bound room fair Danae as well
separation from the heaven’s
a prisoner hidden in a chamber like a tomb,
although she, too, came from a noble line.*
And she, my child, had in her care
streaming golden seed of
But the power of fate is full of mystery.
There’s no evading it, no, not with wealth,
or war, or walls, or black sea-beaten ships.
And the hot-tempered child of Dryas,
king of the Edonians, was put in prison,
closed up in the
for his angry mocking of the god.*
dreadful flower of his
slowly withered, and he came to know
the god who in his frenzy he had mocked
with his own tongue. For he had tried
to hold in check women in that frenzy
inspired by the god, the Bacchanalian fire.
More than that—he’d made the Muses angry,
challenging the gods who love the flute.*
Beside the black
rocks where the twin seas
by Thracian Salmydessos at the Bosphorus,*
close to the
place where Ares
the war god witnessed the unholy wounds
which blinded the two sons of Phineus,
inflicted by his savage wife—the sightless holes
cried out for someone to avenge those blows
made with her sharpened comb in blood-stained hands.*
In their misery they wept, lamenting
their wretched suffering, sons of a mother
had gone wrong. And
she was an offspring of an ancient family,
the race of Erechtheus, raised far away,
in caves surrounded by her father’s winds,
Boreas’ child, a girl who raced with horses
across steep hills—child of the gods.
But she, too, my child, suffered much
from the immortal Fates.*
[Enter Teiresias, led by a young boy]
Lords of Thebes, we two have walked a common path,
one person’s vision serving both of us.
require a guide to find their
What news do you have, old Teiresias?
I’ll tell you—and you obey the prophet.
I’ve not rejected your advice before.
That’s the reason why you’ve steered the city
on its proper course.
From my experience
I can confirm the help you give.
Then know this—
your luck is once more on fate’s razor edge.
What? What you’ve just said makes me nervous.
You’ll know—once you hear the tokens of my art.
As I was sitting
in my ancient
receiving omens from the flights of birds
who all come
there where I can hear
I note among those birds an unknown cry—
evil, unintelligible, angry screaming.
I knew that they were tearing at each other
with murderous claws. The noisy wings
revealed that all too well. I was afraid.
So right away up on the blazing altar
I set up burnt offerings. But Hephaestus
failed to shine
out from the
dark slime poured out onto the embers,
oozing from the thighs, which smoked and spat,
bile was sprayed
high up into the
and the melting thighs lost all the fat
which they’d been wrapped in. The rites had failed—
there was no prophecy revealed in them.
I learned that from this boy, who is my guide,
as I guide other men.* Our state is sick—
your policies have done this. In the city
our altars and
our hearths have been
all of them, with rotting flesh brought there
by birds and dogs from Oedipus’ son,
who lies there miserably dead. The gods
no longer will accept our sacrifice,
our prayers, our
thigh bones burned in
No bird will shriek out a clear sign to us,
for they have gorged themselves on fat and blood
from a man who’s dead. Consider this, my son.
All men make mistakes—that’s not uncommon.
But when they
do, they’re no longer
or subject to bad luck if they try to fix
the evil into which they’ve fallen,
once they give up their intransigence.
Men who put their stubbornness on show
invite accusations of stupidity.
Make concessions to the dead—don’t ever stab
a man who’s just been killed. What’s the glory
in killing a dead person one more time?
I’ve been concerned for you. It’s good advice.
Learning can be
pleasant when a man speaks
especially when he seeks your benefit.
Old man, you’re all like archers shooting at me—
For you all I’ve now become your target—
even prophets have been aiming at me.
I’ve long been bought and sold as merchandise
among that tribe. Well, go make your profits.
If it’s what you want, then trade with Sardis
for their golden-silver alloy—or for gold
from India, but you’ll never hide that corpse
in any grave. Even if Zeus’ eagles
should choose to seize his festering body
and take it up, right to the throne of Zeus,
not even then would I, in trembling fear
of some defilement, permit that corpse
a burial. For I know well that no man
has the power to pollute the gods.
But, old Teiresias, among human beings
the wisest suffer a disgraceful fall
when, to promote themselves, they use fine words
to spread around abusive insults.
Alas, does any man know or think about . . .
Think what? What sort of pithy common thought
are you about to utter?
TEIRESIAS [ignoring the interruption]
. . . how good advice
valuable—worth more than all
I think that’s true, as much as foolishness
is what harms us most.
Yet that’s the sickness
now infecting you.
I have no desire
to denigrate a prophet when I speak.
But that’s what you are doing, when you claim
my oracles are false.
The tribe of
all of them—are fond of money
Their tribe loves to benefit dishonestly.
You know you’re speaking of the man who rules you.
I know—thanks to me you saved the city
and now are in control.*
You’re a wise prophet,
but you love doing wrong.
You’ll force me
to speak of
secrets locked inside my
Do it—just don’t speak to benefit yourself.
I don’t think that I’ll be doing that—
not as far as you’re concerned.
You can be sure 1190
you won’t change my mind to make yourself more rich.
Then understand this well—you will not see
the sun race through its cycle many times
before you lose a child of your own loins,
a corpse in payment for these corpses.
You’ve thrown down to those below someone
from up above—in your arrogance
you’ve moved a living soul into a grave,
leaving here a body owned by gods below—
unburied, dispossessed, unsanctified.
That’s no concern of yours or gods above.
In this you violate the ones below.
And so destroying avengers wait for you,
Furies of Hades and the gods, who’ll see
you caught up in this very wickedness.
Now see if I speak as someone who’s been bribed.
It won’t be long before in your own house
the men and women all cry out in sorrow,
and cities rise
in hate against you—all
soldiers have had burial
from dogs, wild animals, or flying birds
who carry the unholy stench back home,
to every city hearth.* Like an archer,
I shoot these arrows now into your heart
because you have provoked me. I’m angry—
so my aim is good. You’ll not escape their pain.
Boy, lead us home so he can vent his rage
on younger men and keep a quieter tongue
and a more
temperate mind than he has
[Exit Teiresias, led by the young boy]
My lord, my
lord, such dreadful
and now he’s gone. Since my hair changed colour
from black to white, I know here in the city
he’s never uttered a false prophecy.
I know that, too—and it disturbs my mind.
It’s dreadful to give way, but to resist
and let destruction hammer down my spirit—
that’s a fearful option, too.
Son of Menoikeos,
you need to listen to some good advice.
Tell me what to do. Speak up. I’ll do it.
Go and release
the girl from her rock
Then prepare a grave for that unburied corpse.
This is your advice? You think I should concede?
Yes, my lord, as fast as possible.
Swift footed injuries sent from the gods
hack down those who act imprudently.
Alas—it’s difficult. But I’ll give up.
I’ll not do what I’d set my heart upon.
It’s not right to fight against necessity.
Go now and get this done. Don’t give the work
to other men to do.
I’ll go just as I
Come, you servants, each and every one of you.
Come on. Bring axes with you. Go there quickly—
up to the higher
ground. I’ve changed my
Since I’m the one who tied her up, I’ll go
and set her free myself. Now I’m afraid.
Until one dies the best thing well may be
to follow our established laws.
[Creon and his attendants hurry off stage]
Oh you with many names,
you glory of that Theban bride,
and child of
you who cherish famous Italy,
and rule the welcoming valley lands
of Eleusianian Deo—
O Bacchus—you who dwell
in the bacchants’ mother city Thebes,
beside Ismenus’ flowing streams,
on land sown with the teeth
of that fierce dragon.*
Above the double mountain peaks,
flashing through the murky
have seen you where Corcyian nymphs
move on as they worship you
by the Kastalian
And from the ivy-covered slopes
of Nysa’s hills, from the green shore
so rich in vines, you come to us,
visiting our Theban ways,
while deathless voices all cry out
in honour of your name, "Evoe."*
above all others, you and your mother
blasted by that lightning strike.*
And now when all
are captive to a foul disease,
on your healing feet you come
across the moaning strait
or over the Parnassian hill.
You who lead the dance,
among the fire-breathing stars,
who guard the
voices in the
child born of
Zeus, oh my
appear with your attendant Thyiads,
who dance in frenzy all night long,
for you their patron, Iacchus.*
[Enter a Messenger]
All you here who live beside the home
of Amphion and Cadmus—in human life
there’s no set place which I would praise or blame.*
The lucky and unlucky rise or fall
by chance day after day—and how these things
are fixed for
men no one can
For Creon, in my view, was once a man
we all looked up to. For he saved the state,
this land of Cadmus, from its enemies.
He took control and reigned as its sole king—
and prospered with the birth of noble children.
Now all is gone. For when a man has lost
what gives him pleasure, I don’t include him
among the living—he’s a breathing corpse.
Pile up a massive fortune in your home,
if that’s what
you want—live like a
If there’s no pleasure in it, I’d not give
to any man a
vapour’s shadow for
not compared to human joy.
Have you come with news of some fresh trouble
in our house of kings?
and those alive bear the responsibility
for those who’ve died.
Who did the killing?
Who’s lying dead? Tell us.
Haemon has been killed.
No stranger shed his blood.
At his father’s hand?
Or did he kill himself?
By his own hand—
angry at his
father for the
Teiresias, how your words have proven true!
That’s how things stand. Consider what comes next.
I see Creon’s
she’s coming from the house—either by chance,
or else she’s heard there’s news about her son.
[Enter Eurydice from the palace with some attendants]
Citizens of Thebes, I heard you talking,
as I was walking out, going off to pray,
to ask for help from goddess Pallas.
While I was unfastening the gate,
I heard someone
speaking of bad
about my family. I was terrified.
I collapsed, fainting back into the arms
attendants. So tell the news
I’ll listen. I’m no stranger to misfortune.
Dear lady, I’ll speak of what I saw,
omitting not one detail of the truth.
Why should I ease your mind with a report
which turns out later to be incorrect?
The truth is always best. I went to the plain,
your husband as his
Polyneices’ corpse, still unlamented,
was lying there, the greatest distance off,
torn apart by dogs. We prayed to Pluto
and to Hecate, goddess of the road,
for their good
will and to restrain their
We gave the corpse a ritual wash, and burned
what was left of it on fresh-cut branches.
We piled up a high tomb of his native earth.
Then we moved to the young girl’s rocky cave,
cavern of that bride of
From far away one man heard a voice
coming from the chamber where we’d put her
without a funeral—a piercing cry.
He went to tell our master Creon,
who, as he approached the place, heard the sound,
an unintelligible scream of sorrow.
He groaned and
then spoke out these bitter
"Has misery made me a prophet now?
And am I travelling along a road
that takes me to
the worst of all
I’ve just heard the voice of my own son.
You servants, go ahead—get up there fast.
Remove the stones piled in the entrance way,
then stand beside the tomb and look in there
to see if that was Haemon’s voice I heard,
or if the gods have been deceiving me."
Following what our desperate master asked,
we looked. In the furthest corner of the tomb
we saw Antigone hanging by the neck,
held up in a noose—fine woven linen.
Haemon had his arms around her waist—
he was embracing her and crying out
in sorrow for the loss of his own bride,
now among the dead, his father’s work,
and for his horrifying marriage bed.
Creon saw him, let out a fearful groan,
then went inside and called out anxiously,
"You unhappy boy, what have you done?
What are you thinking? Have you lost your mind?
Come out, my
child—I’m begging you—please
But the boy just stared at him with savage eyes,
spat in his face and, without saying a word,
drew his two-edged sword. Creon moved away,
so the boy’s blow failed to strike his father.
Angry at himself, the ill-fated lad
right then and there leaned into his own sword,
driving half the blade between his ribs.
While still conscious he embraced the girl
in his weak arms, and, as he breathed his last,
he coughed up streams of blood on her fair cheek.
Now he lies
there, corpse on corpse, his
has been fulfilled in chambers of the dead.
The unfortunate boy has shown all men
how, of all the evils which afflict mankind,
the most disastrous one is thoughtlessness.
[Eurydice turns and slowly returns into the palace]
What do you make of that? The queen’s gone back.
She left without a word, good or bad.
I’m surprised myself. It’s about her son—
she heard that terrible report. I hope
because she doesn’t think it
to mourn for him in public. In the home,
surrounded by her servants, she’ll arrange
a period of mourning for the house.
She’s discreet and has experience—
she won’t make
I’m not sure of that.
to me her staying silent was extreme—
it seems to point to something ominous,
just like a vain excess of grief.
I’ll go in.
We’ll find out if she’s hiding something secret,
deep within her
passionate heart. You’re
excessive silence can be dangerous.
[The Messenger goes up the stairs into the palace. Enter Creon from the side, with attendants.
Creon is holding the body of Haemon]
Here comes the king in person—carrying
in his arms, if it’s right to speak of this,
a clear reminder that this evil comes
not from some
stranger, but his own
Aaiii—mistakes made by a foolish mind,
cruel mistakes that bring on death.
You see us here, all in one family—
the killer and the killed.
Oh the profanity
of what I
Alas, my son, you died so young—
a death before your time.
Aaiii . . . aaiii . . . you’re dead . . . gone—
not your own foolishness but mine.
Alas, it seems you’ve learned to see what’s right—
but far too
&nb sp; 
Aaiiii . . . I’ve learned it in my pain.
Some god clutching a great weight struck my head,
then hurled me onto paths in wilderness,
throwing down and casting underfoot
what brought me joy.
So sad . . . so sad . . .
the wretched agony of human life.
[The Messenger reappears from the palace]
My lord, you come like one who stores up evil,
what you hold in your arms and what you’ll see
before too long
Is there something still more evil than all this?
Your wife is dead—blood mother of that corpse—
slaughtered with a sword—her wounds are very new,
Aaiiii . . . . a gathering place for death . . .
no sacrifice can
bring this to an
Why are you destroying me? You there—
you bringer of this dreadful news, this agony,
what are you saying now? Aaiii . . .
You kill a man then kill him once again.
What are you saying, boy? What news?
my wife, alas . . . she’s dead?
MESSENGER [opening the palace doors, revealing the body of Eurydice]
Look here. No longer is she concealed inside.
Alas, how miserable I feel—to look upon
this second horror. What remains for me,
what’s fate still got in store? I’ve just held
my own son in my arms, and now I see
right here in front of me another corpse.
Alas for this suffering
Alas, my son.
Stabbed with a sharp sword at the altar,
she let her darkening eyesight fail,
once she had cried out in sorrow
for the glorious fate of Megareos,
who died some time ago, and then again
for Haemon, and
then, with her last
she called out evil things against you,
the killer of your sons.*
Aaaii . . . My fear now makes me tremble.
Why won’t someone now strike out at me,
pierce my heart with a double bladed sword?
How miserable I
am . . . aaiii . .
how full of misery and pain . . .
By this woman who lies dead you stand charged
with the deaths of both your sons.
What about her?
How did she die so violently?
with her own hands she stabbed her belly,
once she heard her son’s unhappy fate.
Alas for me . . . the guilt for all of this is mine—
it can never be removed from me or passed
to any other mortal man. I, and I alone . . .
I murdered you . . . I speak the truth.
and lead me
get me away from here, for now
what I am in life is nothing.
What you advise
is good—if good can
with all these evils. When we face such things
the less we say the better.
Let that day come, oh let it come,
the fairest of all destinies for me,
the one which
brings on my last
Oh, let it come, so that I never see
That’s something for the times ahead.
Now we need to deal with what confronts us here.
What’s yet to
come is the concern of
whose task it is to deal with it.
In that prayer
I included everything I most desire.
Pray for nothing.
There’s no release for mortal human beings,
not from events which destiny has set.
Then take this foolish man away from here.
I killed you, my son, without intending
and you, as well, my wife. How useless I am now.
I don’t know where to look or find support.
Everything I touch goes wrong, and on my head
fate climbs up with its overwhelming load.
[The Attendants help Creon move up the stairs into the palace, taking Haemon’s body with them]
The most important part of true success
is wisdom—not to act impiously
towards the gods, for boasts of arrogant men
bring on great blows of punishment—
so in old age men can discover wisdom.
*Dirce: one of the rivers beside Thebes.
*Hephaistos: god of fire.
*Laius: king of Thebes and father of Oedipus. Oedipus killed him (not
knowing who he was) and became the next king of Thebes by saving the
city from the devastation of the Sphinx.
*Zeus Herkeios: Zeus of the Courtyard, a patron god of worship within the home.
*Hades: god of the underworld, lord of the dead. [Back to Text]
*Labdakos: father of Laius and hence grandfather of Oedipus and great-grandfather of Antigone and Ismene.
*Olympus: a mountain in northern Greece where, according to tradition, the major gods live.
*Following common editorial practice, the lines of the Greek have been
rearranged here, so that 663-7 come after 671, hence the apparently odd
numbering of the lines. [Back to Text]
*Following the suggestion of Andrew Brown and others, I have moved
lines 756-7 in the Greek text so that they come right after line 750.
*corrupted: the killing of a family member could bring on divine
punishment in the form of a pollution involving the entire city (as in
the case of Oedipus). Creon is, one assumes, taking refuge in the
notion that he will not be executing Antigone directly.
*Eros: the god of erotic sexual passion.
*Aphrodite: goddess of sexual desire.
*Acheron: one of the major rivers of the underworld.
*The last two speeches refer to Niobe, daughter of Tantalus (a son of
Zeus). Niobe had seven sons and daughters and boasted that she had more
children than the goddess Leto. As punishment Artemis and Apollo,
Leto’s two children, destroyed all Niobe’s children. Niobe turned to
stone in grief and was reportedly visible on Mount Sipylus (in Asia
Minor). The Chorus’ claim that Niobe was a goddess or semi-divine is
very odd here, since her story is almost always a tale of human
presumption and divine punishment for human arrogance.
*father: The Chorus here is offering the traditional suggestion that
present afflictions can arise from a family curse originating in
*still alive: Polyneices married the daughter of Adrastus, an action which enabled him to acquire the army to attack Thebes.
*here with us: Creon’s logic seems to suggest that because he is not
executing Antigone directly and is leaving her a choice between
committing suicide and slowly starving to death in the cave, he has no
moral responsibility for what happens
*Persephone is the wife of Hades and thus goddess of the underworld.
*Danae: daughter of Acrisus, King of Argos. Because of a prophecy that
he would be killed by a son born to Danae, Acrisus imprisoned her. But
Zeus made love to her in the form of a golden shower, and she gave
birth to Perseus, who, once grown, killed Acrisus accidentally.
*mocking of the god: a reference to Lycurgus son of Dryas, a Thracian
king. He attacked the god Dionysus and was punished with blinding or
with being torn apart.
*flute: the anger of the Muses at a Thracian who boasted of his flute
playing is not normally a part of the Lycurgus story but refers to
another Thracian, Thamyras.
*dark rocks . . . Bosphorus: the dark rocks were a famous hazard to
shipping. They moved together to smash any ship moving between them.
The Bosphorus is the strait between the Black Sea and the Propontis
(near the Hellespont).
*blood-stained hands: this verse and the next refer to the Thracian
king Phineas, whose second wife blinded her two step sons (from
Phineas’ first wife Cleopatra) by stabbing out their eyes.
*immortal Fates: Cleopatra was the grand-daughter of Erechtheus, king
of Athens. Boreas, father of Erechtheus, was god of the North Wind.
*other men: Teiresias’ offering failed to catch fire. His
interpretation is that it has been rejected by the gods, a very
*in control: This is the second reference to the fact that at some
point earlier Teiresias has given important political help to Creon. It
is not at all clear what this refers to.
*Teiresias here is apparently accusing Creon of refusing burial to the
dead allied soldiers Polyneices brought with him from other cities.
There is no mention of this anywhere else in the play, although the
detail is present in other versions of the story.
*fierce dragon: In these lines the Chorus celebrates Dionysus, the god
born in Thebes to Semele, daughter of King Cadmus. The bacchants are
those who worship Dionysus. Eleusis, a region on the coast near Athens,
was famous for the its Eleusinian Mysteries, a secret ritual of
worship. Deo is a reference to the goddess Demeter, who was worshipped
at Eleusis. The Theban race sprang up from dragon’s teeth sown in a
field by Cadmus, founder of the city.
*Evoe: a cry of celebration made by worshippers of Bacchus.
*lightning strike: Semele, Dionysus human mother, was destroyed by Zeus
lightning bolt, because of the jealousy of Hera, Zeus’ wife.
*Iacchus: Thyiads are worshippers of Dionysus, Iacchus a divinity associated with Dionysus.
*Amphion: legendary king of Thebes, husband of Niobe.
*Megareos: Haemon’s brother, who, we are to understand on the basis of
this reference, died nobly some time before the play begins. It is not
clear how Creon might have been responsible for his death. In another
version of the story, Creon has a son Menoeceos, who kills himself in
order to save the city.